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Pulp Fiction [VHS] (1994)

Price: 2.99 USD

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Author Name: Tarantino, Quentin; Travolta, John; Jackson, Samuel L.; Thurman, Uma; Keitel, Harvey; Roth, Tim; Plummer, Amanda; Medeiros, Maria De; Rhames, Ving; Stoltz, Eric; Arquette, Rosanna; Walken, Christopher; Willis, Bruce; Bender, Lawrence

Binding: VHS

Book Condition: Very Good

Type Book

Publisher United States Miramax Home Entertainment 1996

ISBN Number 0788802402 / 9780788802409

Seller ID 009917

Very good condition. Pulp Fiction [VHS] (1994) By Tarantino, Quentin; Travolta, John; Jackson, Samuel L.; Thurman, Uma; Keitel, Harvey; Roth, Tim; Plummer, Amanda; Medeiros, Maria De; Rhames, Ving; Stoltz, Eric; Arquette, Rosanna; Walken, Christopher; Willis, Bruce; Bender, Lawrence Product Details Actors: John Travolta, Bruce Willis, Samuel L. Jackson, Tim Roth, Amanda Plummer Directors: Quentin Tarantino Writers: Quentin Tarantino, Roger Avary Producers: Bob Weinstein, Danny DeVito, Harvey Weinstein, Lawrence Bender, Michael Shamberg Format: Closed captioned, Color, NTSC Language: English, French, Spanish Rated: R (Restricted) Number of tapes: 1 Studio: Buena Vista Home Ent VHS Release Date: September 12, 1995 Run Time: 154 minutes With the knockout one-two punch of 1992's Reservoir Dogs and 1994's Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender. But Pulp Fiction was more than just the follow-up to an impressive first feature, or the winner of the Palme d'Or at Cannes Film Festival, or a script stuffed with the sort of juicy bubblegum dialogue actors just love to chew, or the vehicle that reestablished John Travolta on the A-list, or the relatively low-budget (8 million) independent showcase for an ultrahip mixture of established marquee names and rising stars from the indie scene (among them Samuel L. Jackson, Uma Thurman, Bruce Willis, Ving Rhames, Harvey Keitel, Christopher Walken, Tim Roth, Amanda Plummer, Julia Sweeney, Kathy Griffin, and Phil Lamar). It was more, even, than an unprecedented 100 million plus hit for indie distributor Miramax. Pulp Fiction was a sensation. No, it was not the Second Coming (I actually think Reservoir Dogs is a more substantial film; and P.T. Anderson outdid Tarantino in 1997 by making his directorial debut with two even more mature and accomplished pictures, Hard Eight and Boogie Nights). But Pulp Fiction packs so much energy and invention into telling its nonchronologically interwoven short stories (all about temptation, corruption, and redemption amongst modern criminals, large and small) it leaves viewers both exhilarated and exhausted hearts racing and knuckles white from the ride. (Oh, and the infectious, surf-guitar-based soundtrack is tastier than a Royale with Cheese.)

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